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I think England is like, the whole country’s brainwashed by the UK charts. To be honest with you, living in England. įor you, growing up, what was your entry point into this music, and underground music in general? There were a couple of remixes that Armand Van Helden did. Speed garage was a bit more bass driven like the 187 Lockdown and that kind of stuff. That was a bit more like house, a bit more US style. Speed garage is kind of a bit more bass driven than that. Speed garage is a naff journalistic term that Mixmag came up with sort of thing. That was what it sort of spawned from basically. This basically is like garage as we knew it when it first arrived. It kind of spawned out of this record shop called Pure Groove. This was on Locked On, which was a big garage label. This is an old track, let me just check that I’ve got the right side of it. Nice, what’s this record we’re going to listen to now? I mean it’s, everyone’s always looking for something new. Then garage came along, and people were like, “Yeah, I want to get on this.” Then that got ruined as well. People were like, “Oh that’s not how I used to like it.” It was like the drum & bass scene split a little bit when the old vocal thing started coming in and the MCs were starting to get on the mic. Again, this was exactly how grime kind of split from UK garage. I think it was like, at the time it was like when jungle and that was starting to fade out a little bit. I’ve got some old garage tracks as well just so you can see the difference, how it’s kind of changed over the years or like this whole industry standard.įirst of all, at what point did the UK producers take the old US version of house and garage, when did the UK producers start picking up on that, and why did they pick up on the name garage? Maybe we can break down over the last six or seven years what it’s evolved from, and with some tunes just to give people ideas. genres evolve so much, and with all these different names, what I think would be cool is for a lot of people also, the word garage conjures up the US images of garage. What you were saying before, I don’t think you need. If I was to look up in the dictionary the word “grimey,” what would I find? It just took a few people to start using the word and. DJs were going, “I don’t really like grime, this grimey stuff.” The garage DJs would get on the mic and say, “We don’t support grime.” It just stuck really. When the whole thing switched from UK garage, and it became quite MC-based and dark, you would hear MCs on the mic saying, “Oh this one’s grimey,” or someone would go, “Oh that tune’s grimey,” then it got. I think if you just stick to grime it’ll be all right. There’s no point in trying to pigeonhole it even more.
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#Mad com youtunes full
It’s such a small scene that hasn’t really reached its full potential yet. Sub low is a sub-division of grime, but there’s no point in trying to pigeonhole it anymore. If someone says to me, “I make sub low,” just go, “No, you make grime.”
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It’s just what a lot of people would call it. Technically, it’s not even the proper name for it. It’s gotten to that point now.Įveryone sat there and went, “OK, we’ll call it grime.” I’m not calling my music that, we’re going to call it this instead.” It just got so confusing for everyone that someone had to come along and go, “Let’s just call it grime, and that’ll do,” sort of thing. I think it changes so much that everyone’s trying to stick a pin on it, and say, “This is what it’s called.” Someone will go, “Well I don’t want to call it that. What’s the difference, and what’s up with all these people calling their stuff different things when. We had breakstep, then there’s grime and sub low and eski, and it’s all a bit mad really. In the last five years you’ve seen the speed garage thing, the UK garage, and 2-step. Without a doubt in modern electronic music, I don’t think there’s been any more genre that’s been more confusing for people. When you say that, you’re talking more about the whole dancehall concept, we’d say rhythm culture, and people come out with a rhythm and MCs toast over it, and it’s kind of evolved from that? It’s quite high energy, dark stuff really. I suppose it’s like energetic, dark, mainly instrumental because most tracks are made with the intention of perhaps an MC to spit lyrics over the top of it or. If you had to describe to your grandmother what grime was all about musically, how would you tell her? It’s a totally new kind of music that’s coming out of London at the moment, and it’s starting to spread around. For people that don’t know, what are we calling this?Īt the moment, people are sort of labeling it as a new genre called grime, which sort of evolved from the old UK garage scene when it started getting a little bit dark. Plasticman – “Hard Graft”)įor a lot of people that sound, that whole style of music might be very foreign.